Stigmata
The Second SexStigmata are bodily marks interpreted as sharing in Christ’s wounds. The book presents them as a particularly female mystical experience: a meeting point between bodily suffering, religious devotion, and the transformation of blood into a sign of divine love. Rather than treating the marks as an isolated marvel, it places them within its broader argument that the body matters profoundly but acquires meaning through lived consciousness and social context.
Stigmata and the Body
The account notes that women formed the great majority of people whose stigmata had been recognized by the Catholic Church: of 321 such people, only 47 were men. Most of the women were past menopause, though Catherine Emmerich was marked at twenty-four. This contrast connects the phenomenon to the book’s discussion of women’s bodily experience across the life course without reducing mystical experience to a biological mechanism.
The surrounding argument describes menstruation as a recurring source of alienation: the body can feel opaque and foreign, governed by a reproductive process that prepares and then sheds what might have become a child. The first period can also bring shame and fear, particularly when a girl has not been told what to expect. These discussions establish a context for the later association between women’s religious imagination and blood, but they do not claim that menstruation causes stigmata.
The Mystical Identification with Christ
The book interprets devotion to the Crucified as a form of identification with a suffering body. Women mystics are described as contemplating Christ’s wounds and imagining themselves in the place of the injured figure. In this reading, stigmata make that identification bodily legible: religious suffering is no longer only contemplated but appears on the devotee’s own body.
Catherine Emmerich provides the account’s most detailed example. At twenty-four, after desiring the suffering of the crown of thorns, she saw a dazzling young man approach and place the crown on her head. The next day her temples and forehead swelled and bled. Four years later, during an ecstasy, she saw rays like fine blades coming from Christ’s wounds; blood then appeared at her hands, feet, and side. Therese Neumann is cited as another continuing example, turning a face marked with Christ’s blood toward visitors every Good Friday.
Blood Transformed into Glory
The interpretation culminates in the transformation of blood from a feared bodily sign into an emblem of sacred love. The book connects women’s religious attachment to this transformation with their difficult relation to menstrual blood: what can signify shame, loss, or bodily subjection is recast in mystical devotion as a path from blood to glory.
The discussion of other devotional practices reinforces the connection between bodily abasement and religious meaning. It describes women’s concrete participation in forms of devotion centered on Christ’s suffering, then reads stigmata as the culmination of a mystical process in which bodily pain becomes a sign of divine presence. This is the book’s interpretation of the phenomenon, not a medical account of its cause.
Meaning Within the Book’s Argument
Stigmata belong to the book’s broader account of feminine mysticism: an experience through which some women seek transcendence within a condition shaped by the body and by social limits. The author treats biological facts as important to women’s situation, but explicitly rejects the idea that those facts establish a permanent destiny. The body has lived reality through consciousness and action within society; biology alone cannot explain why women are positioned as the Other.
In that framework, stigmata hold a double significance. They make suffering central to a religious image of transformation, while also revealing how women’s bodily experience can be given meaning through inherited religious forms. The account’s recurring movement—from blood and pain toward glory—shows how mystical devotion can recast bodily vulnerability as a claim to spiritual significance, without dissolving the material and social conditions from which that experience emerges.